selected works
Title Author
“This hardware is now obsolete.” Marc-André Dalbavie's Diadèmes Miriam Akkermann
A Melody Composer for both Tonal and Non-Tonal Languages Coleman Yu / Raymond Chi-Wing Wong
A New Method for Objective Measurement of Perceived Audio Quality Hsiao-Yen Wang / Jin-Huang Huang / Yu-Chung Tseng
A Novel approach to Timbre Morphology: Audio-rate control of Additive Synthesis Stuart James
A Real-Time Music Emotion Modulation System for Soundtracks Bing Yen Chang / Andrew Horner
A Sep2Tree Model for Recognizing Synthetic Bach Chorales Xiuyan Ni / Weicheng Ma / Zhaoheng Ni / Robert Haralick
A Study of What Makes Calm and Sad Music So Difficult to Distinguish in Music Emotion Recognition Yu Hong / Chuck-Jee Chau / Andrew Horner
A Topo-Phonic Table for Tangible Sonic Interaction Diemo Schwarz / Emmanuelle Lizère / Ariadna Alsina Tarrès / Grégoire Lorieux / Frédéric Bevilacqua
An introspective method for the analysis of musical multimedia Marko Ciciliani
Appropriate Isomorphic Layout Determination Using 3-D Helix Lattices Hanlin Hu / David Gerhard
Assessment Techniques for New Mechatronic Instruments as Applied to speaker.motion. Bridget Johnson
Aural Simulation of Tactile Defensiveness Kevin Schlei / Rebecca Yoshikane
Biomimicry: analysis of a corpus-based interactive improvisational system James Bradbury
Callas as Violetta: A Computer-Assisted Study on Her Recorded Performances of La Traviata Jian Yang / Ying Huang / William Everett
ChucK Racks: Text-based Music Programming for the Digital Audio Workstation Jordan Hochenbaum / Spencer Salazar / Rodrigo Sena
Composition by Conversation Donya Quick / Clatyon Morrison
Cross-cultural aspects of perceptual features in K-Pop: A pilot study comparing Chinese and Swedish listeners Anders Friberg / Ragnar Schön / Anders Elowsson / Kahyun Choi / Stephen Downie
Development and Case Study of a Sensor Platform System Using the Wireless Microprocessor Module TWE-LITE for Media Art and Computer Music SABURO HIRANO / AKIKO OCHI
DYCI2 agents: merging the free, reactive, and scenario-based music generation paradigms Jérôme Nika / Ken Deguernel / Axel Chemla--Romeu-Santos / Emmanuel Vincent / Gérard Assayag
e Systematic Grouping of Detection Tools for Properties of Acousmaticity: Binary Tension between Sonority and Pulse Jonas Jurkunas
Embodied Sonic Meditation and its Proof-of-Concept: “Resonance of the Heart” Jiayue Cecilia Wu / Julius Orion Smith / Yijun Zhou / Matthew James Wright
Evaluation of Positioning Learning Support System using True information and False Information and Vague Information for Violin Beginner Marimo Kumaki / Yoshinari Takegawa / Keiji Hirata
Expansion Through the Machine: A Composition for Harmonica and Wearable Oliver Hickman / Tae Hong Park
Exploring concatenative synthesis units in 3d space Max Neupert
Exploring sonic landscape through the use of spatial and temporal sampling techniques Felipe Otondo
Extending dataflows with temporal graphs Jean-Michaël Celerier / Myriam Desainte-Catherine / Jean-Michel Couturier
Folk Song Notation Transcription Using Spectrogram – A Case Study of Yao Ethnic Group Folk Song from Guangxi Ling-Yun, Southwest China Shing-kwei Tzeng / Chih-Fang Huang
FormSound: A Particle Formation-Based Audiovisual Interface Sihwa Park / Woohun Joo
FrameLib: Audio DSP using Frames of Arbitrary Length and Timing Alex Harker
From Harmonization to Recolorization: Ant Foraging Inspired Auditory-Visual Synesthetic Pattern Transformation Chenyu Zheng
Granular Synthesis as Fractal Micropolyphony Paul Rhys
How Does Parametric Reverberation Change the Space of Instrument Emotional Characteristics? Ronald Mo / Richard So / Andrew Horner
Human Excess - Aesthetics Of Post-Internet Electronic Music Anders Bach Pedersen
Improving Robotic Chordophones with Closed-Loop Embedded Audio Feedback Systems Jason Long / Neill Skelly / Jim Murphy / Dale Carnegie / Ajay Kapur
Interaction Models for Real-time Participatory Musical Performance using Mobile Devices Danyi LIU / Edwin van der Heide
Interactive Composition and Performance Framework with Evolutionary Computing Insook Choi
Interactive computer-aided composition with constraints Pierre Talbot / Carlos Agon / Philippe Esling
Keyboard Interface with Shape-Distortion Expression for Interactive Performance Masa Ogata / Masataka Goto
Landschaften — Visualization, Control and Processing of Sounds in 3D Spaces Savannah Agger / Jean Bresson / Thibaut Carpentier
LISP in Max: for exploratory computer-aided composition in real-time 
 Julien VINCENOT
Machine Listening in Interactive Music Systems: An Overview Artemi-Maria Gioti
Macrostructure and Transition in a Generative Algorithmic Composition Environment Ken Paoli
Mediating a Comprovisation Performance: the Comprovisador's Control Interface Pedro Louzeiro
mesh2faust: a Modal Physical Model Generator for the Faust Programming Language – Application to Bell Modeling Romain Michon / Sara Regina Martin / Julius Orion III Smith
Mode and Register Categorizations for Predicting Mood in Classical Piano Music Yu Hong / Chuck-Jee Chau / Andrew Horner
Multimedia Performance Installation with Virtual Reality Lee Cheng
Music Style Analysis among Haydn, Mozart and Beethoven: an Unsupervised Machine Learning Approach Ru Wen / Zheng Xie / Kai Chen / Ruoxuan Guo / Kuan Xu / Wenmin Huang / Jiyuan Tian / Jiang Wu
Musical control of Granular Textures generated by Iter-ated Function Systems Oliver Hancock
MyoSpat: an hand-gesture controlled system for sound and light projections manipulation Balandino Di Donato / James Dooley / Rodrigo F. Cadiz / Jamie Bullock / Simon Hall
Next-generation Computer-aided Composition Environment: A New Implementation of OpenMusic Jean Bresson / Jérémie Garcia / Dimitri Bouche / Thibaut Carpentier / Diemo Schwarz
Pacific Bell Tower, a sculptural sound installation for live sonification of earthquake data (paper). PerMagnus Lindborg
Performance Practice of Electroacoustic Music. Towards a practice-based exchange between musicology and performance Germán Toro Pérez / Lucas Bennett
Performing a Performer: human performers instead of electric sound generators Koka Nikoladze
Portable C++ Framework for Low-Latency Musical Touch Interaction with Geometrical Shapes Gwendal Le Vaillant / Guillaume Villée / Thierry Dutoit
Proposal of Score-Following Reflecting Gaze Information on Cost of DP matching Shiori Terasaki / Yoshinari Takegawa / Keiji Hirata
Real-Time Composition, why it still matters?: A look at recent developments and poten-tially new and interesting applications Carlos Guedes
Recursive Generation of Rhythmic Structures with PTGGs Brian Heim / Donya Quick
Redesigning Music Education Through Laptop Ensembles Juan Pablo Yepez / Jordan Hochenbaum / Spencer Salazar / Ajay Kapur
Siren: Hierarchical Composition Interface Can Ince / Mert Toka
Sonic Explorations of Gumowski-Mira Maps Timothy S. H. Tan / PerMagnus Lindborg
SoZen -- Improving Productivity with a Soundscape Generating Zen Garden Jiajun Yang / Thomas Hermann
Speculative Designs: Towards a Social Music Gascia Ouzounian / Christopher Haworth / Peter Bennett
SuperSampler: A New Polyphonic Concatenative Sampler Synthesizer in SuperCollider for Sound Motive Creating, Live Coding, and Improvisation Shu-Cheng Wu
The Effects of Convolution Reverberation on the Emotional Characteristics Ronald Mo / Andrew Horner
The Hyper Drumhead: Making Music with a Massive Real-time Physical Model Victor Zappi / Andrew Allen / Sidney Fels
The Machine Lab: A Modern Classroom to Teach Mechatronic Music Nathan Villicana-Shaw / Spencer Salazar / Ajay Kapur
The Update-caching Technique for Unit-generator-based Sound Synthesis Hiroki Nishino
This paper considers various elements that influence the decisions taken when designing performance environ-ments for compositions featuring acoustic instruments with electronics. The implications of choosing different models for the control of the electr Marc Estibeiro
Time Flow Concepts and Architectures for Music and Media Synchronization Roger Dannenberg
Time, Timelines and Temporal Scopes in the Antescofo DSL v1.0 Jean-Louis Giavitto / José Echeveste / Arshia Cont / Philippe Cuvillier
Token of Enunciation Marko Ciciliani
Tuning to Trust: System Calibration as Creative Enabler Pierre Alexandre Tremblay
Typing heterogeneous dataflow graphs for static buffering and scheduling Pierre Donat-Bouillud / Jean-Louis Giavitto
Visual Feedback for DDMM: A Simple Approach for Connecting and Synchronizing Unity Animations with Events from VST Plugins Christine Steinmeier / Dominic Becking
VisualSoundtrack: An Approach to Style Transfer in the Context of Soundtrack Prototyping Ishwarya Ananthabhotla / Joseph Paradiso
中文 3D SOUND CREATION SYSTEM BASED ON AMBISONICS 基于AMBISONICS 算法的3D 声音创作平台 RUOLUN WENG
中文 A Method of Classification of Interactive Electronic Music 一种交互式电子音乐的分类方法 Ling Fan
中文 A STUDY ON THE COMPOSING STYLE SIMULATION AND QUALITY ASSESSMENT METHOD OF SONG MELODY 歌曲旋律创作风格的模仿与质量评估方法的研究 Yin Feng / Xiaoting Wu / MingTai Lin
中文 Based on the sensing technology MYO armband in the application of interactive electronic music 基于传感技术的MYO 在交互式电子音乐中的应用 Dongyong Ji
中文 Discussion on Multimedia Convergence Composition of EXTREMA 论作品《极》的多媒融合创作构思 Hongshuo Fan / Minjie LU
中文 Element Discussion on Application of “Auditory Montage” in Acousmatic Music——Taking Tick-Tock as an Example 浅谈“听觉蒙太奇”在幻听音乐中的运用————以幻听音乐作品TICK-TOCK 为例 Yaxi Li / Kun Li
中文 Element Discussion on Interactive Music from Marshall Macluhan's Media Theory 由麦克卢汉媒介理论浅论交互式电子音乐 Minjie Lu
中文 Investigating the technical development of IRCAM 考察IRCAM 的技术发展 Wenlin Ban
中文 Kaija Saariaho“Petals”中效果器对大提琴音响的 “延伸”与“扩展” mengdi gan
中文 Research on the Score System in Intelligent Piano Teaching Software 智能钢琴教学软件中的乐谱系统研究 Chen Shizhe
中文 Soundscape Composition and Sound Perception (Hildegard Westerkamp’s works as examples) 声景作曲与声音感知 ——以希尔德嘉·卫斯特坎作品为例 Dong Zhou
中文 SUMMARY OF INTELLIGENT-MUSICOLOGY 智能音乐学概述 Gen-Fang Chen / Xiao-Dong Huang / Jian-Guo Zhang
中文 THE ANALYSIS OF ILLIAC SUITE BASED ON MARKOV CHAIN 基于马尔科夫链的伊利亚克组曲分析 Ka TANG / Qiao LUO
中文 The application of Human-machine interactive technology in interactive electric music--Using the composition of music work Tai Chi as an example "人机"交互技术在交互电子音乐作品中的应用--以作品 <太极> 的创作为例 Yu Li
"中文 THE CULTURE CHARACTERISTICS UNDER ORIENTAL CONTEXT OF CHINESE ELECTRONIC MUSIC COMPOSITION 东方语境下中国电子音乐创作的文化特征 ——以陆敏捷两首电子音乐作品为例" Wanjun YANG / Xiyue ZHANG
中文 The design of Interactive Electro-acoustic Music 《Zither is everything》《無·筝》 Qinyang Zhao
中文 THE DEVELOPMENT AND APPLICATION OF MUSICXML, A DIGITAL SHEET MUSIC EXCHANGE STANDARD 计算机乐谱信息交换标准MusicXML的发展与应用 Wanjun YANG
中文 NEW VOICES ACROSS THE SUBJECT 跨媒体与学科的新声音 Liu Hao
中文 MUSIC NEW MEDIA ARTS : IDEA AND PRACTICE 音乐新媒体艺术——概念与实践 Zhibo Xu
中文 A BRIEF ANALYSIS OF THE ACOUSTIC CHARACTERISTICS OF VIRTUAL ORCHESTRA BASED ON DIGITAL SAMPLING PLAYBACK TECHNOLOGY 浅析基于数字采样回放技术的虚拟管弦乐器音响特性 Qin Shiyue
CalmusWaves: Where Dancers Compose Music in Real-Time Kjartan Olafsson
Cinemacraft: Immersive Live Machinima as an Empathetic Musical Storytelling Platform Siddharth Narayanan
fcremap'dB: Audiovisual Re-mapping, Animated Notation, and Embodied Electronics Alexander Sigman
Hands where we can see them! Investigating the impact of gesture size on audience perception S. M. Astrid Bin / Nick Bryan-Kinns / Andrew P. McPherson
INScore Time Model Dominique Fober / Yann Orlarey / Stéphane Letz
Interactive Music and Media @ Rensselaer Studio Report 2017 Rob Hamilton / Curtis Bahn
Investigating Guqin Left Hand Modulation Techniques Jingyin He / Ajay Kapur / Dale A. Carnegie
MadBPM: A Modular Audio-Visual Environment For Data Driven Composition And Sonification Kelly Fox / Jeremy Stewart / Rob Hamilton
MetaFlute: A Wearable Interface for Gesture Detection Diana Siwiak / Dale A. Carnegie / Jim Murphy
Musical Sonification of Super High Frequency Lighting Omer Cem Cakmak / Rob Hamilton
Sonification of Women in Sound and Music Computing - The Sound of Female Authorship in ICMC, SMC and NIME Proceedings Emma Frid
Understanding Interaction in musical multi-touch surfaces Marie Gonzalez-Inostroza / Alvaro Sylleros / Rodrigo F. Cadiz
The CCM Center for Computer Music 2017 Mara Helmuth / Michael Lukaszuk / Marissa DiPronio
Performance-Installation : Four Projects Juraj Kojs / Alex Lough
The list above consists of selected works which have been registered.以上名单为完成注册的入选论文。